A Destrier’s Tale
Balian d’Ibelin’s
Destrier “Centurion” Tells his Story
After leaving the
stables where I was born and backed, I don’t like remembering what happened
next.
First, we
travelled for two whole days leaving behind the fertile valley of my childhood and entering hilly country that was quite barren though not yet desert.
Of course, at the time I had never seen a desert, so it was the driest place I
had ever seen. When the wind blew it was hot rather than cool and laden with
dust particles that settled everywhere — in my ears and nostrils and on my
tongue as well. The flies were terrible to.
Eventually, we
came to a small, dusty and rather shabby village. There was a well in the
village and all the children and women gathered around it and watched as I was
led into the enclosure beside the biggest and only stone building in village. It was a two-storied, rectangular structure
with a flat roof that abutted a single story building which by the smells
coming from it housed the kitchens and bake-oven. The building had only very
narrow windows on the second story facing the street, but larger windows and
doors opening onto the enclosure. Soon people flooded out to greet the man who
had taken me away from home. There was an old man and several women and the old
man came over and walked around me very critically, but then he nodded and
clapped the man who’d brought me on his back approvingly. It seemed that he was
the father of the man who had taken me from home and he was always addressed as
“Sir Robert.” He called the man who had brought me there “my boy” or “Tom” but
the others called him “Sir Thomas,” so I gathered that Sir Robert was Sir
Thomas' father.
I guess I should
say something about Sir Thomas. He was not very old, hardly more than a colt,
and he had dark hair and a black mustache. He had long limbs and a long neck,
for a human, too. There was nothing about the look of him that warned me he was a bad human, but I soon learned differently. In my mind, I never thought
of him as “Sir Thomas,” just as the Black Knight.
That first night
I was taken into the stables of the manor and discovered just how lucky I had
been up to then. This place was cramped, dark and dirty. They tied each horse
in place — literally tied the lead to the feed box, so you couldn’t turn around
or lie down at night. Not that the stalls were wide enough to lie down anyway.
There were high wooden walls between the stalls so we could not see much less
nuzzle our neighbors. You just had to stand there day in and day out in your
own shit, hoping they wouldn’t forget to feed and water you.
The grooms were
lazy and unfriendly too. They tried to get away with doing as little work as
possible, which is why our stalls were always so dirty. They treated us like we
were all idiots, who had to be slapped about to be made to do anything. To be
fair, of the six of us there, three were so old and broken they didn’t have the
energy to respond to anything less than prodding. It was terrible to see them,
actually, their legs were deformed with bone and bog spavins and one had two
bowed tendons. The only mare was so old that all she could do was doze, while
the only half-way young and healthy horse was the one that Sir Thomas had been
riding when he came and took me away. We’d become friendly on the journey, of
course, and he’d warned me things weren’t good where we were going, only I
hadn’t been able to imagine anything like this because I’d never seen anything
like it before. But bad as things were in that cramped, dark, filthy stable, I
came to long for it because the alternative was being ridden by Sir Thomas.
I don’t
understand why, but the Black Knight never mastered the art of keeping his seat
in the saddle at a canter. Whenever I cantered he would be thrown up out of the
saddle and then come bashing back down again -- every single stride. That’s not
comfortable, and if it goes on long enough, it becomes downright painful. I
can’t tell you how many times I came home with bruises on my back and then I
had to stand all night in that terrible stall with no way to lie down or get
comfortable so that my muscles sometimes cramped terribly and the pain was even
worse the next morning. Worse, his inability to sit properly made him
unsteady in the saddle. That was bad enough for normal riding, but it meant he
was terrible at jousting.
The jousting
started only weeks after I arrived and I’d never done it before so my first
reaction when I saw another horse charging straight at me with this long sharp
object aimed at my eye was to jump sideways out of the way. Unfortunately, the
Black Knight landed in the sand as a result and I got beaten. I mean really
beaten. He captured me and tied me up in the corner of the enclosure then laid
into me with his belt until his father came out and stopped him. By then I was
covered with welts and was bleeding from scraping my hocks and knees against
the stone wall as I tried to get away from the lashes.
After that I
didn’t dare side-step but half the time he still fell off, and half the time he
blamed me even if it hadn’t been my fault. When he was particularly angry, he
tied my lead so short I couldn’t move my head at all and the whipped me in the
face. I swear I would have been blinded if his father hadn’t caught him doing
that once, and lit into him so badly that he stalked away and did not come near
me for a week or so. His father untied me and washed the blood from my face,
shaking his head in disapproval, but he still let his son ride me when he
wanted to again.
That was my life
for almost two years — living in filth alternated with terror of being ridden
badly and then beaten for my rider’s incompetence. I soon lost all interest in
life and just drifted from meal to meal and day to day, knowing I was going to
end up like the other broken horses in that stables. I had no idea that things
could get still worse.
The hero of "A Destrier's Tale" is a character in my biographical novel about Balian d'Ibelin (who is NOT "the Black Knight" of the above episode!)
A landless knight,
a leper king,
and the struggle for Jerusalem!
Book I of the three part biography of Balian d'Ibelin is a B.R.A.G. Medallion Honoree and finalist for the 2014 Chaucer Award for Historical Fiction. Buy now on amazon or barnes and noble.
Book II in the series:
A divided kingdom,
a united enemy,
and the struggle for Jerusalem!
Buy Now in Paperback!
or Kindle!
The hero of "A Destrier's Tale" is a character in my biographical novel about Balian d'Ibelin (who is NOT "the Black Knight" of the above episode!)
A landless knight,
a leper king,
and the struggle for Jerusalem!
Book I of the three part biography of Balian d'Ibelin is a B.R.A.G. Medallion Honoree and finalist for the 2014 Chaucer Award for Historical Fiction. Buy now on amazon or barnes and noble.
Book II in the series:
A divided kingdom,
a united enemy,
and the struggle for Jerusalem!
Buy Now in Paperback!
or Kindle!
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